The new paradigm introduced with ultra high speed networks growing both in commercial and research frameworks will force a redesign of the performing space that will be something else from theatre as we know it and will make William Shakespeare's "all the world's a stage" a feasible scenario also for real-time performances. Given this premise GARR investigated in a synergy with a renowned experimental-theatre director, namely G.B.Corsetti, the possibilities opened by the physical fragmentation of the stage space.
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